Start times and gaps
Proposed starts across the day with the space between them stated, so a schedule that looks fine on paper is not one that empties the same corridor twice at once.
Showtime scheduling
A schedule built in a spreadsheet is a schedule nobody can check. CineScope builds and finalizes the week's showtimes and keeps the gaps and turnaround explicit. When you ask, the AI Scheduling Agent writes up the week and marks the changes it suggests on the grid; nothing moves until somebody moves it.
We'll walk the circuit view, your POS sync and showtime setup on a live screen. Backed by our 30-day guarantee.
Proposed starts across the day with the space between them stated, so a schedule that looks fine on paper is not one that empties the same corridor twice at once.
The time a room actually needs between shows, and therefore what a day can hold — rather than what a plan assumes it can.
The Programming page pairs a film filling a small room with a bigger one at the same cinema playing to nobody, and names the showtimes. The booker decides.
A person decides the week, and the AI Scheduling Agent only ever suggests. Nothing reaches your POS until somebody enters it.
Finalized schedules are entered into your POS by your team, and last year's houses can be backfilled from a spreadsheet. A circuit that started this week therefore has something to compare against from day one instead of waiting a season for the comparisons in programming analytics to mean anything.
It is where the week's schedule is built and finalized: which title plays in which room, at what times, with the gaps and turnaround between shows made explicit rather than assumed. Once approved, the plan is handed to your team to enter into the POS — CineScope does not write showtimes into it.
Nothing by itself. It is a planning mode of the scheduler for cinemas whose POS runs the schedule: a separate week built by hand on the same grid, then published to managers. That is a cinema on RTS or Veezi, whose schedule CineScope mirrors and cannot edit by hand. Nothing here ever puts anything on sale.
As suggestions on the Programming page: a film filling a small room is paired with a bigger room at the same cinema that is playing to nobody, with the showtimes named as the evidence. The booker decides.
No. It plans the week and hands you a finished schedule; entering it into the POS stays a manual step your team controls. Scheduling and the optimizer are part of CineScope, and the comparison work in programming analytics uses the POS sales feed.
Last year's houses can be backfilled from a spreadsheet, so a circuit that signed up on Monday has something to compare against rather than waiting a year to get useful answers.
No. Booking is a programmer's judgement. The scheduler plans and finalizes the week, and programming analytics tells you afterwards how a title performed against what a typical title at that same cinema sold on that weekday.
Read how the week performed afterwards in programming and booking analytics, see the rest of the CineScope, or go back to all features.
We'll walk the circuit view, your POS sync and showtime setup on a live screen. Backed by our 30-day guarantee.